31 October 2026

Most big autumn shows open within a fortnight. On 9 October Lovis Corinth, who like most Berliners came from elsewhere, reaches the Berlinische Galerie, and Schlingensief the Gropius Bau. A week later the Gemäldegalerie hangs five centuries of portraits, Botticelli to Lempicka, and the Deutsches Historisches Museum sets colonial beside Nazi violence. Madame Grès leaves the Kunstgewerbemuseum on the 11th.

Editor's picks for October 2026

Berlinische GalerieOpens 9 October

Lovis Corinth. Then came Berlin!

Lovis Corinth's rise in Berlin after 1900: the expressive painting, the painting school he ran for women, his work for the theatre and his domestic circle.

KW Institute for Contemporary ArtOpens 17 October

Susan Hiller: Bad Dreams

The first Berlin survey of Susan Hiller, a pioneer of conceptual and video art, built around hypnotic audiovisual installations on fantasy, fear and the unconscious. KW shows two further solo exhibitions alongside it.

KunstgewerbemuseumCloses 11 October

Many Shades of Grès: Fashion Becomes Art

Around 150 pieces on the couturier Madame Grès, built around the museum's own 25 Grès garments, one of the largest holdings outside Paris, with sculpture and student designs alongside.

Neue NationalgalerieUntil 7 March 2027

Maurizio Cattelan. NIGHT – Preis der Nationalgalerie 2026

Him, Cattelan's small kneeling figure with Hitler's face, and Novecento, a stuffed horse hung from the ceiling, with new commissions under Mies van der Rohe's glass roof. His first major solo show in Germany, for the Preis der Nationalgalerie.

C/O BerlinUntil 3 February 2027

Carrie Mae Weems: The Heart of the Matter

One kitchen table under one hanging lamp: the set of Weems's 1990 Kitchen Table Series starts a four-decade retrospective of more than 100 photographs and videos, through Family Pictures and Stories to her new Preach series.

Hamburger BahnhofUntil 20 June 2027

Ryuichi Sakamoto: seeing sound, hearing time

A school piano wrecked by the 2011 tsunami stands in a pool of water, its keys pressed by live earthquake data. In the taz, Julian Weber called the staging Zen-like, but numbing in its sheer technology.

Opening in the next two weeks

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