Rubens, Jordaens, van Dyck. Flemish Master Drawings

In 1616, the year Anton van Dyck joined Rubens's studio, he filled a sheet with figures copied from his new master. Rubens himself never signed his drawings or showed them in public. They were working material, and almost every sheet here was made to prepare a painting, a print or a tapestry.

This is the Kupferstichkabinett's first show of its Flemish drawings in fifty years: more than 100 sheets by 28 artists, made between 1570 and 1650. You move through it in chapters, from late-Mannerist forerunners to Rubens, Jordaens's bright colour designs and van Dyck's raw pen sketches, then Brueghel's landscapes, Teniers's village life and Vrancx's soldiers. The wall texts follow who trained, married and worked with whom: Teniers married Jan Brueghel's daughter while she was Rubens's ward.

Tickets are 8 euros (4 concessions), or 22 for every Kulturforum show, and the curator's German audio guide is included. Public tours run Saturdays at 14:00, and a Sunday tour continues into the Gemäldegalerie's paintings by the same artists.