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Exhibition view of Shilpa Gupta, What Still Holds

Hamburger BahnhofMoabit

Shilpa Gupta: What Still Holds

Now showing27 March 2026 – 3 January 2027Ticketed — see website

Works by Shilpa Gupta on language, borders and power, in direct dialogue with Joseph Beuys and the Marx Collection.

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The word TRUTH stands in the hall as concrete letters that rise above you, split apart and out of order, with the T lying flat on the floor. You walk between them, and the word only reads from certain spots. In Berlin Art Link, Carolin Kralapp wrote that the scale "raises questions about power."

Around it are twenty years of Gupta's work on censorship and borders, shown in dialogue with the museum's Joseph Beuys holdings. Two split-flap boards, the kind once used for train departures, flip through the artist's own phrases. A library of 100 metal book covers names real books published under pseudonyms, each engraved with the author's reason. At tables you rub crayon over engravings of police arrests with the arrested person removed, and keep the print.

Kralapp called the library "one of the exhibition's quietest and most unsettling works." Allow time to read and listen: the flapboard text alone runs 34 minutes. Entry is €16 (€8 concessions), and Thursdays run until 20:00.

Look for

  • Truth (2022–25)

    Look for the concrete letters T-R-U-T-H, separated and out of order with the T lying flat; walk between them and the word only reads from some positions.

  • StillTheyKnowNotWhatIDream (2021)

    Two mechanical split-flap boards like old station departure boards, flipping through phrases such as "When we speak no one listens" in a 34-minute cycle.

  • Someone Else: A Library of 100 Books

    100 metal book covers for real books published anonymously or under pseudonyms, each engraved with the author's reason: political safety, hiding their gender, protecting a reputation.

  • Untitled (Nothing Will Go on Record)

    Tables engraved with scenes of police arrests at protests, the detained person cut out; trace one onto paper with the crayons provided and take the print.

  • Listening Air (2019/23)

    A dark room where suspended microphones, working as speakers, drift slowly through the air with songs of resistance, starting from Hum Dekhenge, sung at India's 2019 student protests.

Good for

  • Evening Visits
  • Going Solo

Skip if

You want paintings: this is sculpture, sound and text installations about censorship and borders.

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