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fuga: Sound Exhibition by Netta Weiser

Now showing29 August 2026 – 31 March 2027Ticketed — see website

Netta Weiser's first sound exhibition in Berlin, in the Listening Space: 1930s wax cylinder recordings from Siwa, Egypt, by Brigitte Schiffer, reworked through a queer-diasporic lens.

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In the 1930s the German-Jewish composer Brigitte Schiffer took a phonograph to the Siwa oasis in western Egypt and recorded children singing a lament in a funeral procession. Netta Weiser starts from that wax cylinder and layers it with Schiffer's 1934 piece on the melody, children reenacting the song today and Roy Amotz improvising on flute.

The second part uses call-and-response songs that date harvesters sang from the tops of palm trees, about migration, money and hints of queer love. Vocalist Chanan Ben Simon sings the answering voice the archive is missing. You sit on circular seating in the Listening Space, a room with curved, lit walls, while its 3D audio system moves the sound in circles around you and a six-channel video drifts across the choir's photo from Schiffer's 1936 thesis.

Come to sit and listen. It runs only Wednesday to Monday, 4 to 6:30 pm, on the second floor. The SMB lists the €9 Ethnological Collections and Asian Art ticket (€4.50 concessions) for it.

Look for

  • The children's funeral lament

    Listen for a 1930s wax-cylinder recording of children singing in a Saharan funeral procession, woven with Schiffer's 1934 composition, today's children reenacting it and improvised flute.

  • The palm-tree harvest songs

    Date harvesters' call-and-response songs, once shouted from palm tops, now answered by vocalist Chanan Ben Simon singing the voice the archive never captured.

  • The six-channel choir video

    Itay Marom's video moves slowly across a single archival photograph of the children's choir, reproduced in Schiffer's 1936 dissertation.

Good for

  • Going Solo
  • Locals Who've Seen It All
  • Nerding Out

Skip if

You want objects to look at: it is a sound installation with a single video.

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