iAlte NationalgalerieMitte
The painter, writer and traveller whose 1887 painting Mors Imperator, rejected by the Berlin Academy of Arts, made her famous overnight.
A skeleton in a purple, ermine-trimmed cloak leans on a sword and tips over a throne. It wears a plain iron crown while a jewelled one falls to the floor, and one foot rests on a globe. In 1887 the Berlin Academy's jury called this lèse-majesté and "the unartistic expression of a crooked thought", because Emperor Wilhelm I was 90. The Emperor didn't object. The jury refused it anyway.
So Hermione von Preuschen rented rooms at Leipziger Straße 43, charged admission and let the press do the rest: a pop-up with a ticket desk, about 140 years early. The painting, long thought lost, is back on public view for the first time. Around it you get her letters, photographs and publications on the scandal, her world travels and the "Tempio Hermione" she built in Lichtenrade.
This is a cabinet show built around one painting, not a retrospective. Entry to all the gallery's exhibitions is €14 (€7 concessions), Tuesday to Sunday, 10:00 to 18:00, until 15 November.
Mors Imperator (1887)
Look for the two crowns: Death keeps a plain iron one on his skull while the jewelled imperial crown drops to the ground beside the toppled throne.
The paper trail of the scandal
Letters, photographs and publications show how von Preuschen turned the Academy's rejection into a paid private showing on Leipziger Straße that made her famous.
You want a full retrospective: this is a cabinet show built around one painting and its paperwork.