Humboldt ForumMitte
Three large interventions by Māori artist George Nuku in two rooms of the Oceania galleries, made in polystyrene and Plexiglas during his Collaborative Museum fellowships.
Māui stands in a see-through canoe on top of a coral reef, hauling plastic sea creatures out of the water with a big fishing hook. The canoe is Plexiglas, so are Māui and his four brothers, and the jellyfish, fish and rays were made from PET bottles in a two-week workshop. George Nuku calls the plastic bottle "evidence of divinity", which is more than the Pfandautomat ever offered for one.
There are three interventions across two Oceania rooms. You walk into the big boat hall (room 215) and find the waka on the reef case, its ends fitted with historical sterns from the collection. In room 219, Plexiglas meeting-house gables shelter old gods in wood and stone, and four clear ancestor figures stand beside weapons and jewellery displayed upright. "When they lie, they are dead," Nuku says.
These sit inside the permanent display on the second floor, covered by the €9 collections ticket. Texts are in English and German. Closed Tuesdays.
The Plexiglas waka
In the boat hall, Māui and his four clear brothers steer a canoe across the coral reef case while Māui pulls plastic sea creatures up on a big hook.
The PET-bottle sea
Look into the case under the waka: jellyfish, fish, rays and corals cut from plastic bottles fill it like a reef.
The meeting-house gable
In room 219 a clear Plexiglas gable frames three ancestor or god figures in wood and stone from Aotearoa, the Marquesas and Rapa Nui.
Sope from Nukuoro
Opposite the gable, a second Plexiglas gable shields the carved wooden figure of the god Sope.
The standing treasures
Four clear ancestor figures in Māori carving style stand by cases where the museum's weapons and jewellery are shown upright instead of lying flat.
You want a standalone exhibition: these are three pieces placed inside the permanent Oceania galleries.