Humboldt Forum

Over 10,000 Tanzanian objects from the Ethnologisches Museum shown alongside Tanzanian curators' and artists' perspectives on German and British colonial rule.

Three large interventions by Māori artist George Nuku in two rooms of the Oceania galleries, made in polystyrene and Plexiglas during his Collaborative Museum fellowships.

A look at the hidden work of museum conservators, through restored objects such as Canadian crest poles, a Qing lacquer cabinet and a Mongolian shrine.

Video installation on endangered languages and family, with community members documenting their languages, made with the Endangered Languages Archive.

Free show in the Humboldt Lab pairing Berlin University Alliance water research with artistic takes on water and the climate crisis.

Feminist voices on war and gardens: art, photography and interviews on women's solidarity across borders and the healing power of community gardens.

Young Visions from Neukölln: eleven young people on today's injustices and a fairer future. Visitors can take a seat on the throne. In BERLIN GLOBAL.

Mirae kh Rhee asks how objects reached their places in collections and who collects and why, in a cabinet-of-curiosities project from a transnational feminist, decolonial view.

Netta Weiser's first sound exhibition in Berlin, in the Listening Space: 1930s wax cylinder recordings from Siwa, Egypt, by Brigitte Schiffer, reworked through a queer-diasporic lens.

Marks 100 years of the Society for East Asian Art with museum holdings and loans, including an 18th-century Japanese Buddhist painting.

Marks 120 years of the East Asian Art Collection with the fisherman motif in Chinese painting, a symbol of escape from a turbulent world.

Twenty artworks from Brazil, Colombia and Chile show water as a source of knowledge and spirituality and as a ground of environmental conflict, made with Indigenous and traditional communities.

A film and research project by Deepak Tolange on the copper-gilded Chaturmukh Shiva Linga kosh in Berlin's Asian art collection and the loss of Nepal's cultural assets.