iHumboldt ForumMitte
Twenty artworks from Brazil, Colombia and Chile show water as a source of knowledge and spirituality and as a ground of environmental conflict, made with Indigenous and traditional communities.
Preview: written before the show opened
You can walk into a fish trap here. A second room is a maloca, the longhouse where, in the stories of the Kotiria people of Colombia's Río Vaupés, fish beings gather to hold their festivals the way humans do. Both are multimedia installations, filled with images and sounds from the Colombian Amazon and from Rio de Janeiro's Guanabara Bay.
The show brings together about 20 contemporary works from Brazil, Colombia and Chile, made with Indigenous and traditional communities after years of research in those regions. Its water runs from the mist of Colombia's Páramo de Sumapaz to Chilean rivers turned into commodities by water rights, and to the bay's mangroves, where Caiçara fishers work beside industrial sites. One interactive piece brings the material of rivers into the gallery.
Tickets are €9, in Special Exhibition 1 on the ground floor. The museum warns that some areas have strong light, sound and multimedia effects. The artists and curators also hold Nhé'ẽ, free circle conversations, in Hall 2.
The longhouse of the fish people
Look for the walk-in maloca, a multimedia room built on the Kotiria story of fish beings who gather in longhouses for their festivals, like humans.
The walk-in fish trap
A second walk-in installation turns the idea of a fish trap into a multimedia room of images and sound.
The interactive river work
One interactive artwork brings the material of South American rivers into the gallery itself.
Kids get an interactive artwork and walk-in multimedia rooms, but the museum warns that some areas have heightened light, sound and multimedia effects.