Iza Tarasewicz

Preview: written before the show opened

Reviewing Tarasewicz's 2022 show at Tramway in Glasgow, The Scotsman's Susan Mansfield found sculptures built from obsolete farm machinery: four-fingered metal claws, and turkey-sized tripods clustered by a door "like poultry waiting to be fed". She gave it four stars and praised its "impressive unity", though past a certain point she found it repetitive.

Moving Cause, her Secession show, returns to retro machines that today's economy writes off as technological scrap, and adds spacecraft. The Secession promises a playful, humorous model of another reality in which the machines build their own chaotic community. Don't expect a rerun of Glasgow: her pieces are modular, rearranged for every venue, in materials from rusted steel to lingzhi mushrooms. Vienna's broken machines go to the Mistplatz; these ones got the Secession.

Her gallery, 66p, says she is the first Polish artist with a solo project here. It opens on 4 December. Admission is €13 (students under 26 €7.50, under-12s free) and includes the Beethoven Frieze.