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Elisabeth von Samsonow, When disaster strikes

Heidi Horten CollectionInnere Stadt

Elisabeth von Samsonow

Now showing19 September 2026 – 28 February 2027€18

First large-scale survey of the Austrian artist-philosopher: sculptures, paintings, drawings, films and a site-specific installation on the earth as bearer of history, life and memory.

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Samsonow came to carving by accident: she bought a fallen linden, said to be a thousand years old, that nobody else wanted. The sculptures here are carved from whole trunks like it, life-size painted girls, horses, pony girls and pretzels, and some sit on wheels, carry strings or are wired for light.

This is the German-Austrian artist and philosopher's first big retrospective, nearly five decades over two floors, with early drawings shown for the first time. The curators call it a sculpture forest, and you walk among figures that are half person, half plant or animal. Ten works from the Horten collection are set against hers, from Schiele and Bacon to the prehistoric Idol of Immendorf, and an open atelier asks you to make something yourself.

Der Standard's critic found "eine Wucht von Ideen", a barrage of ideas. That is also the catch: ecofeminism and land ownership run through it all. Admission is €12 for the whole museum, under-19s free. Open until 21:00 on Thursdays, closed Tuesdays.

Look for

  • Black Demeter (2012)

    A 167 cm figure carved in linden wood, painted in egg tempera and built with parts of a cello.

  • When Disaster Strikes, the Centaurs Must Come to the Rescue (2024)

    Two metres of egg tempera on jute, with the centaurs that in Samsonow's mythology are female.

  • Ich als Egon Schiele

    A self-portrait in which Samsonow paints herself as Schiele, in a show that hangs real Schieles from the collection beside her work.

  • Why Women Must Own Land

    Three photographs and a manifesto from Goddesses' Land, the four-hectare plot in Lower Austria's Pulkau Valley she and others bought in 2020.

  • The Idol of Immendorf

    A prehistoric female figurine, more than 6,800 years old, lent for one of the ten dialogues with her sculptures.

Good for

  • Evening Visits
  • Locals Who've Seen It All
  • Nerding Out

With kids

Under-19s get in free, and an open atelier inside the show invites visitors to make their own response.

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