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Work by Etel Adnan from the exhibition Shifting the Silence

LenbachhausMaxvorstadt / Kunstareal

Shifting the Silence

Now showing14 October 2025 – 31 January 2027€10

Inspired by Etel Adnan's last book, 83 works by over 40 international artists probe how visual art can reach beyond the limits of language.

Book tickets Exhibition website

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Three dishwasher baskets stand loaded with pots, bowls, plates and cups from several centuries, and Nicole Wermers balanced the lot without glue. Elsewhere lie the German grammar notebooks of Cana Bilir-Meier's mother, a former guest worker, corrections included.

You start with three small, colour-rich paintings by Etel Adnan, whose last book gives the show its title, and she gets a room of her own. After that come 83 works by more than 40 artists, many new to the collection, sometimes up to four to a room, running on into the historic rooms of Lenbach's villa. If you still guess der, die or das at the Bäckerei, those notebooks will look familiar.

It is a quiet show: the Mittelbayerische Zeitung found no loud videos and no din. The Abendzeitung's critic praised Mirga-Tas and Mivekannin but found it overly cerebral in places. Entry is the €10 museum ticket (€6 reduced, free under 18), Thursdays run to 8pm, and the Long Night of Museums on 17 October runs until 1am.

Look for

  • Nicole Wermers' dishwashing sculptures

    Look for three dishwasher baskets stacked with pots, bowls, plates and cups spanning several centuries, held in place by balance alone, with no glue.

  • Małgorzata Mirga-Tas' Out of Egypt

    Bright fabric collages of Romani women cooking over fire and at home with children, reworking racist 17th-century etchings; some hung in Poland's Venice Biennale pavilion.

  • Cana Bilir-Meier's grammar notebooks

    Her mother's German exercise books from her years as a guest worker, with the corrections still on the page.

  • Roméo Mivekannin's Homme Inconnu

    A portrait of an unknown man from about 1830 to 1840, painted over by Mivekannin to take Orientalism apart; the Abendzeitung found it especially striking.

  • Samia Halaby's Sound Paintings

    Computer-generated geometric abstractions from 1986 onwards, shown on monitors rather than canvas.

Good for

  • Evening Visits
  • Going Solo
  • Nerding Out

Skip if

You find concept-heavy contemporary art tiring: the Abendzeitung's critic called parts of it overly cerebral.

With kids

Under-18s get in free, and the museum publishes an introduction to the show in Leichte Sprache (easy German).

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