iMuseu Picasso de BarcelonaEl Born
How Picasso's cubist space shaped modern architecture, from Guernica's 1937 pavilion and his Barcelona architects' college friezes to his influence on Le Corbusier.
Preview: written before the show opened
Picasso never built anything, but he drew the 1962 friezes for Barcelona's College of Architects, and Carl Nesjar cut them into the building in sgraffito. A Lucien Clergue photograph of them, taken on 16 October 1968, is the show's lead image.
The argument is that cubism handed architects a toolkit (collage, fragmentation, superposition, transparency) and that Le Corbusier took the most from it. You move through six sections, from "The Architect" and "Urban Visions" to "Cages of Space" and a final one on Picasso and Le Corbusier. The friezes and Guernica, painted for Spain's pavilion at the 1937 Paris Exhibition, serve as case studies; the museum doesn't say the canvas leaves Madrid. The friezes are still up in Plaça Nova, facing the Cathedral: the one Picasso in town you can see at 2am without a ticket.
It opens on 20 November as part of Barcelona's year as World Capital of Architecture. Under-18s go free, and Thursdays from 4 to 7pm are free with booking, released four days ahead.
How Picasso's cubist space shaped modern architecture: the 1937 pavilion that housed Guernica, his friezes for Barcelona's architects' college and his influence on Le Corbusier. The friezes are still on that college's facade, a short walk away.
Family workshop «Geometries per habitar» (ages 6+, in Catalan, €4.50 each) runs on five Saturdays from 28 November, 5 to 7pm: kids build a space from modular pieces, moving from drawing to collage to volume.