iMAK – Museum of Applied ArtsInnere Stadt
Posters from two decades of Vienna Design Week, honouring the designers who shaped the festival's look each autumn. In the MAK Poster Forum.
The 2007 poster shows a red-capped salt shaker on a pink café table, seen through the letters of VIENNA DESIGN WEEKS, still plural that year. The 20th edition's poster is a giant V cut from green python skin on blue zebra stripes.
In between hang the posters from other autumns. Bia Grabner drew 2010 by hand in yellow, with a red stamp reading "A City Full of Design", the line this show borrows for its title. Bueronardin, who made the look from 2011 to 2024, adds a candy-striped 10, an anchor on sailor stripes and the Riesenrad dissolving into orange grain. SIRENE Studio built 2026 from 20 patterns, including cow spots, the edelweiss off the old one-schilling coin and dots taken from Roland Rainer's Stadthalle seats. If you've sat through a gig at the Stadthalle, you've already met one.
It's posters only, in the MAK Poster Forum. The MAK is open until 9pm on Tuesdays, and the show closes on Sunday 1 November.
The salt shaker poster (2007)
Look for Bia Grabner and Rudolf Zündel's close-up of a red-capped salt shaker and a bottle on a pink table, showing through the letters of the title.
The hand-drawn yellow poster (2010)
Bia Grabner's line drawing of people at an arched doorway with a chair out front, stamped in red with "A City Full of Design".
The candy-striped 10 (2016)
Bueronardin's tenth-anniversary poster twists a glossy red, green, white and yellow 10 over a carved wooden staircase and a tilted old window.
The Riesenrad in orange grain (2023)
One of Bueronardin's two 2023 posters shows the Prater Ferris wheel's red cabins against a sky dissolving into sprayed orange dots.
SIRENE Studio's 20th-edition pair (2026)
A giant V in green python skin on blue zebra stripes, and a field of black-and-white cow spots under bright green type.