iAlbertinaInnere Stadt
The first show devoted to the women artists in the Albertina's collection, from medieval convent woodcuts to early feminist work of the 1970s.
Preview: written before the show opened
Of the Albertina's roughly 1.2 million works, about 41,000 are by women, and more than 1,400 of those women are known by name. This is the first show built from them. The founders, Duke Albert and Archduchess Marie Christine, were already buying prints by women engravers and publishers in the 18th century. Those prints waited until the museum's 250th birthday for a show of their own.
The run starts with woodcuts from medieval convents and ends with early feminist work of the 1970s, by way of Maria Sibylla Merian, Angelika Kauffmann, Berthe Morisot, Käthe Kollwitz, Louise Bourgeois, Maria Lassnig and VALIE EXPORT. Many works are on view for the first time, or the first in decades. Up close you're looking at chalk on blue paper, drypoint and paint on parchment: Merian's nettle is 17 cm tall.
Admission is €20.90, under-19s are free, and the museum is open until 21:00 on Wednesdays and Fridays. Public guided tours are scheduled.
Merian's stinging nettle
Look for a nettle carrying the metamorphosis of the small tortoiseshell butterfly and two kinds of fly, painted over an engraving on parchment, 1679-1683.
Vigée Le Brun's young draughtswoman
A young woman drawing a girl's portrait, in black and white chalk on blue paper, from around 1790-1795.
Emilie Mediz-Pelikan's Female Centaur
A woman's body on a horse's, drawn in coloured chalk across a long grey-green sheet in 1895.
Morisot drawing, with Julie
Berthe Morisot's 1889 drypoint of herself at work, with her daughter Julie beside her.
Kauffmann's fainting Julia
Pompey's wife Julia collapses on recognising her husband's bloodstained tunic, in pen and brush on blue paper, around 1785.
Under-19s get into the Albertina free, and the show is part of the standard ticket.