iBelvedere 21Landstraße
The sixth edition of the Civa biennial: five international artists push back against speed and optimisation, with talks, film screenings and live performances.
Preview: written before the show opened
Silke Grabinger's twin was never born. In QUANTWIN, made this year with Civa as a co-producer, that twin comes back as a soft robot attached to her body, an interactive partner built with Creative Robotics at the University of the Arts London.
She is one of five artists in the sixth Civa, Belvedere 21's festival of digital and hybrid art, and this year it is about speed. The museum's word, postacceleration, means acceleration is now the default setting, and the five were chosen for work that refuses to optimise. You meet a Tamagotchi-style creature fed by the audience's emotions, an installation about eye-tracking and the landscapes mined for our devices, and a video game whose player fails on purpose. A show against rushing, in a city whose cafés let you nurse one Melange for two hours.
Talks, film screenings and live performances run alongside. Admission is €12, €8 for students under 26 and over-65s, free under 19, and the building stays open until 9pm on Thursdays.
Silke Grabinger, QUANTWIN
Look for the soft robotic twin worn on the artist's body, standing in for the sibling she lost before birth.
Letta Shtohryn, Chuly? Chuly
A player keeps failing a video game by design, steered by a ChatGPT-distorted story from a woman who once saw giants; the Ukrainian title means "Have you heard? We've heard".
Kyriaki Goni, The distance between our eyes
Prints, ceramics, drawings and video tie the eye-tracking behind the attention economy to the landscapes mined to build the devices.
Eyez Li, TamagotchU
A Tamagotchi-inspired AI creature that reacts to emotional data from the audience in real time, run on small low-energy devices instead of the cloud.
Under-19s get in free.