iLafayette Anticipations - Fondation Galeries LafayetteLe Marais
The artist's first French institutional show, pairing sculptures shaped by shells with works exploring decoration versus conceptual art, using photography, ornamental forms and advertising-derived bubble motifs to probe nature and artifice.
Shells sit pressed onto photographs, held in place by glue you can still see, inside cheap frames. In the text written for the show, Millie Dow says the whole exhibition turns on that one move: a natural object mounted until it reads as ornament again, somewhere between specimen, readymade and trinket.
Vivresse, a blend of vie (life) and ivresse (intoxication), is Hélène Fauquet's first institutional show in France, and it fills the foundation's top floor. You look at photographs you can't fully see: a shell blocks part of each one, and the museum calls the frame around it a portal. Since 2023 she has also worked with the bubble, taken from advertising, scientific photography and household knick-knacks. Designboom compared the results to Rococo excess.
No newspaper critic has reviewed it yet. Entry is free, Wednesday to Sunday, 11am to 7pm, and Yu Nishimura's painting show runs in the same building on the same dates. A lift serves every floor, and large bags go in free ground-floor lockers.
Shells fused to photographs
Real shells stuck over photographs with the adhesive left visible, mounted in inexpensive frames: the single operation the show's text says the whole exhibition turns on.
The bubbles
A bubble motif borrowed from advertising and scientific photography recurs across several works, caught between transparency and reflection with no fixed shape.
Free family sessions on booking during the show: a Super Kids Party for ages 3 to 10 on 21 and 22 November at 2pm, and a play installation for 3 to 24 months that weekend. A lift serves every floor.