Brancusi: The Artist and His Studio

Arriving in New York in 1926, Brancusi looked around and said: "Why, it is my studio. All these blocks, all these shapes to be shifted and juggled with, as the experiment grows and changes." The studio he meant, on the impasse Ronsin in Paris, is where he lived and worked until his death. He saw the skyline as a studio; most New Yorkers see rent.

Its contents went to France as the Atelier Brancusi, shut for the Centre Pompidou's renovation. They fill the sixth floor in largely chronological order: Leda, Bird in Space, Fish, and versions of Mlle Pogany and The Kiss. In the middle you walk into the studio's footprint, marked out in translucent fabric and coloured flooring, with films, plaster studies and his carved stools.

Hyperallergic's Aruna D'Souza called the work "glorious" and the show "more than a survey". Her catch is MoMA itself: "a space problem, or an elegance problem, or a crowd mitigation problem." It is included with general admission, $30 for adults.