i38 reverse-glass paintings by Fride Wirtl-Walser (b. 1932), from a 2025 donation, depicting empty, timeless spaces suspended between past and future.
One piece here has a string with a small bead at each end. Pull it and the little angel disappears while the devil stays, or the other way round. It is Über mein Leben, a pull picture from 2023, painted shortly before the artist's eyesight faded. You can't tug it: it hangs in a vitrine.
Fride Wirtl-Walser, now 94, gave her reverse-glass paintings to the museum in 2025, and 38 of them fill a studio show in the basement. She paints on the back of the pane, so you look at empty buildings, dreamlike landscapes and ghostly figures through a cool, glossy surface. Long before the internet used "liminal spaces" for empty malls at night, she was painting them on the back of glass.
Tabula Rasa's critic found it well worth seeing and called the €12 catalogue important for research on the technique. It's included in regular admission: €7, €1 on Sundays, free under 18. A free German-language tour runs on 12 November at 6pm.
Die Niemandsrose
The artist's own favourite: one picture split across eight strips of glass carrying lines from Paul Celan's 1961 poem "Psalm", which she can still recite by heart.
Über mein Leben, the angel-and-devil pull picture
Tug the string and either the little angel or the little devil vanishes, framed by panels of meaningless words the curator reads as the stories of her life.
You want a blockbuster: this is a studio show of 38 glass paintings in the basement.
Under-18s get in free.