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Exterior of the PAC Padiglione d'Arte Contemporanea on Via Palestro, Milan

PAC Padiglione d'Arte ContemporaneaPorta Venezia / Palestro

RI-SCATTI. Prima che sia notte

Ended10 October 2026 – 25 October 2026Free

This exhibition has ended.

Photography by and about migrant and refugee women: displacement, motherhood and resilience, curated by Diego Sileo. Free entry.

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Maya K. spent years building a career as a lawyer before she reached Italy from Syria via Canada. In her photographs, a blazer stands for that career: left behind, not quite given up.

You walk into 150 photographs by 23 migrant and refugee women supported by Milan's Welcome Center, shown with their texts and interviews. Volunteer professionals from RI-SCATTI taught them in a workshop, then left them to choose what to show and what to keep out of the frame. Cloé Villar de Souza, working from home on Brazilian time, photographed the light in her flat; Arina, from Ukraine, shot friends at parties. The title comes from Reinaldo Arenas's memoir Before Night Falls.

Entry is free. The prints and catalogue are for sale, and the proceeds fund Milano Welcome's projects, with a focus on these women. PAC stays open until 22:30 on Thursdays. Upstairs in the Project Room, a video by Francesco Clerici and Khaoula Matri on sub-Saharan women's routes through North Africa runs alongside.

Look for

  • Maya K.'s blazer

    Look for the blazer in her series, standing in for the law career she built before leaving Syria and hasn't fully let go of.

  • Cloé Villar de Souza's home light

    Working remotely on Brazilian hours kept her mostly indoors, so her pictures study natural and artificial light in her own flat.

  • Arina's parties

    Arina, from Ukraine, chose the brightest moments: friends' faces at parties and get-togethers.

  • Yasmine Fatih's search for home

    Streets, faces and small details from Milan, photographed by a Moroccan woman looking for somewhere that feels like home.

  • Moran and Valeria

    A mother and daughter from El Salvador took the course together, and their pictures come out of that shared time.

Good for

  • Cheap Culture
  • Evening Visits
  • Locals Who've Seen It All

Skip if

You want work by professional artists: every photograph here comes from a workshop's participants.

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