iPAC Padiglione d'Arte ContemporaneaPorta Venezia / Palestro
This exhibition has ended.
Photography by and about migrant and refugee women: displacement, motherhood and resilience, curated by Diego Sileo. Free entry.
Museum websiteMaya K. spent years building a career as a lawyer before she reached Italy from Syria via Canada. In her photographs, a blazer stands for that career: left behind, not quite given up.
You walk into 150 photographs by 23 migrant and refugee women supported by Milan's Welcome Center, shown with their texts and interviews. Volunteer professionals from RI-SCATTI taught them in a workshop, then left them to choose what to show and what to keep out of the frame. Cloé Villar de Souza, working from home on Brazilian time, photographed the light in her flat; Arina, from Ukraine, shot friends at parties. The title comes from Reinaldo Arenas's memoir Before Night Falls.
Entry is free. The prints and catalogue are for sale, and the proceeds fund Milano Welcome's projects, with a focus on these women. PAC stays open until 22:30 on Thursdays. Upstairs in the Project Room, a video by Francesco Clerici and Khaoula Matri on sub-Saharan women's routes through North Africa runs alongside.
Maya K.'s blazer
Look for the blazer in her series, standing in for the law career she built before leaving Syria and hasn't fully let go of.
Cloé Villar de Souza's home light
Working remotely on Brazilian hours kept her mostly indoors, so her pictures study natural and artificial light in her own flat.
Arina's parties
Arina, from Ukraine, chose the brightest moments: friends' faces at parties and get-togethers.
Yasmine Fatih's search for home
Streets, faces and small details from Milan, photographed by a Moroccan woman looking for somewhere that feels like home.
Moran and Valeria
A mother and daughter from El Salvador took the course together, and their pictures come out of that shared time.
You want work by professional artists: every photograph here comes from a workshop's participants.