iMuseo Nacional de San CarlosTabacalera, Cuauhtémoc
"The Life of Things": some 140 still lifes, sculptures, photos and objects from the 16th to 21st centuries, reread through material culture and the biography of objects.
Beside Zurbarán's Supper at Emmaus, painted in 1639, sits a small wooden sphere. Lean in and you smell the painting: specialists from the Museo del Perfume worked out what some of the canvases here would smell like. For once in a museum, putting your nose close to a nearly 400-year-old picture is the point.
The Zurbarán opens about 140 works from some 15 collections, 16th century to 21st, hung out of chronological order. Five sections (origins, fruit and vegetables, flowers, animals, manufactured things) put Arrieta, Orozco, Siqueiros and Olga Costa beside Omar Gámez's 2024 photographs of flower arrangements made as portraits. The last room sets real glass, porcelain and talavera beside the canvases.
The museum's director told La Jornada the genre has long been dismissed as bourgeois, and this show argues otherwise. Entry is MXN 75, free on Sundays and for students, teachers and INAPAM holders. Open Tuesday to Sunday, 10:00 to 18:00, until 10 January 2027.
Zurbarán's Supper at Emmaus comes with a scent sphere made with the Museo del Perfume. Around 140 still lifes and objects, five centuries mixed on purpose, end in a room of real glass, porcelain and talavera.
Zurbarán's Supper at Emmaus
Look for Christ in an unusual hat, unrecognised until he breaks the bread, with a scent sphere beside the frame.
Omar Gámez's Rolando
A 2024 photograph from his Flores series: a flower arrangement composed as a portrait of a person.
Insects and molluscs
In the animal section, scientific specimen collections of insects and shells sit among paintings about hunting and taxidermy.
Magini's still life with a calf's head
Carlo Magini makes a severed calf's head the centrepiece of a still life.
An 18th-century market in New Spain
A large-format painting of a colonial market, lent by the Museo Nacional de Historia.
You want a chronological walk through art history: every section mixes centuries on purpose.