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El Códice de Azcatitlan exhibition at the Museo Nacional de Antropología

Museo Nacional de AntropologíaChapultepec / Polanco, Miguel Hidalgo

El Códice de Azcatitlan

Now showing17 September 2026 – 6 December 2026$210

The Codex Azcatitlan, on loan from the Bibliothèque nationale de France, returns after nearly two centuries: the Mexica migration from Aztlan to Tenochtitlan, with codex facsimiles.

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The last time this manuscript was in Mexico was 1840, and it has belonged to the Bibliothèque nationale de France since 1898. Across 20 folios, a painter in the late-16th-century Valley of Mexico told Mexica history from the departure from Aztlan to the founding of Tenochtitlan, its rulers and the arrival of the Spanish, mixing pictographs with European writing.

You find it in the temporary exhibitions room, inside a show of six sections running from pre-Hispanic picture-writing through colonial codices to current research. Around it sit 25 archaeological and ethnographic pieces and facsimiles of other codices, the Mendoza and the Boturini among them. The original Boturini is in Paris right now, lent in exchange, so the copy here stands in for a manuscript that is standing in for this one.

Entry is free, according to the Foreign Ministry and the Mexican press, and the loan ends on 6 December. It is one manuscript and its context, so pair it with the Sun Stone in the Sala Mexica.

Editor's pick

Twenty folios painted in the late 16th century trace the Mexica migration from Aztlan to Tenochtitlan. Owned by the Bibliothèque nationale de France since 1898, the codex was last in Mexico in 1840.

Look for

  • The Codex Azcatitlan itself

    Look for pictographic scenes captioned in European script, running from the Mexica leaving Aztlan through the founding of Tenochtitlan to the arrival of the Spanish.

  • The Boturini facsimile

    A copy of the codex Mexico sent to the BnF in exchange for this loan; the original is on show in Paris until 13 December.

  • Papermaking stone tools

    Stone tools used to make paper, the first step in producing a codex, shown near the manuscripts they explain.

  • An anthropomorphic Mezcala pectoral

    A stone chest ornament carved as a human figure, one of the archaeological pieces set around the codex.

  • Otomí textiles and natural dyes

    Hñähñu (Otomí) textiles displayed with containers of the natural dyes used to colour them.

Good for

  • Cheap Culture
  • Nerding Out
  • Out-Of-Town Guests

Skip if

You want monumental sculpture: this is one paper manuscript, facsimiles and small objects.

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