iCulturgestAvenidas Novas
The hybrid diagrams, between drawing and writing, that jazz and experimental musician Sei Miguel invented to score what musical notation couldn't capture.
Sei Miguel, the trumpeter and composer who died in 2025, wanted his fellow musicians to play dynamics and tensions that standard notation had no symbols for. So he invented his own: diagrams poised between drawing and writing, symbol and word, which Culturgest says were "devised to offer guidance in the dark".
Original Copy gathers a broad selection of these scores in Gallery 3, the small former bookshop. You walk in to look at instructions written for players rather than for an audience. The pages sit behind glass on a shelf, and curator Bruno Marchand says the chance you take them for drawings is the point. The title is the method: he amended and re-photocopied each page until the piece worked, so there is no original. His partner, Fala Mariam, says the roughly 50 pieces were kept in a tupperware.
Admission is free. Birgit Ulher and Joe Morris play a free concert of about an hour in the gallery foyer on Saturday 12 December at 6pm, limited to capacity.
Showtime on the turntable
A record player with headphones plays Showtime, his 1996 album, reissued on vinyl this year by Holuzam with the cover he preferred.
O Carro de Fogo, part by part
His 2022-23 piece is laid out player by player, with separate pages for André's organ, Bruno's guitar, Pedro's epiphone and Sei Miguel's own part.
Seven pages for one 1998 piece
SP Blues and Peaceful Warning comes as a trumpet score, a visual score, a video score and an audiovisual synchronisation draft, among others.
Scores for the crew
Lighting riders for Cruz de Sala and As Casas de Orfeu and a stage plan for As Mãos em Concha show his instructions went to technicians as well as players.
You came for live music: apart from the 12 December concert, the show is paper scores and one record.