iThe Phillips CollectionDupont Circle
Around 90 works from the 1920s to the mid-1960s tracing the friendship of Milton Avery, Adolph Gottlieb and Mark Rothko, forged over shared summers in Gloucester. Many shown publicly for the first time.
Preview: written before the show opened
In 1932 Milton Avery, then 47, invited two younger painters, Mark Rothko and Adolph Gottlieb, to Gloucester, Massachusetts. This show follows the friendship that grew from those shared summers, in around 90 paintings, watercolors, drawings and sketches from the 1920s to the mid-1960s. Several have never been shown publicly.
Sixteen museums lent to it, and the National Gallery of Art sent ten Rothko works. WBUR's report on the Cape Ann showing named Rothko's 1934 beach scene of bathers and Gottlieb's Boxes on the Beach among the early pieces. The Phillips promotes Avery's Black Sea (1959), a seascape in flat bands of colour. The arc runs from harbour sketches and figures to colour-drenched canvases.
It is included with general admission and free for members, who get preview days on 22 and 23 October. Three painters sharing a summer by the water is the Rehoboth group house, with better paintings and no one fighting over the one bathroom.
Ten Rothkos lent by the National Gallery anchor about 90 works from the Gloucester summers Rothko spent painting beside Milton Avery and Adolph Gottlieb. Several have never been shown publicly; Avery's Black Sea (1959) is among them.
Avery's Black Sea (1959)
A pared-back seascape in flat bands of colour, the image the Phillips uses to represent the show.
The National Gallery's Rothkos
Ten Rothko works on loan from the National Gallery of Art, the largest single lender of Rothko in the show.
The Phillips Plays, a drop-in family program, runs on 14 November from 10am to 1pm.