iDuncan Phillips opened this museum in his own Dupont Circle house in 1921, five years before New York had anything comparable, and the domestic scale never left. Nearly 6,000 works hang in rooms that still feel like a home — El Greco next to Cézanne, Bonnard beside Rothko, arranged to spark conversations across centuries rather than march you through a chronology. The star is Renoir's Luncheon of the Boating Party, but the Rothko Room and Wolfgang Laib's beeswax chamber are the ones people describe afterwards. A 1960 wing and the largely underground 2006 Sant Building expanded it without disturbing the townhouse feel.

Artwork by older adults living with memory loss, made through the museum's Creative Aging programme of gallery conversations followed by studio practice, with local senior centres and Reframing Care.

Around 90 works from the 1920s to the mid-1960s tracing the friendship of Milton Avery, Adolph Gottlieb and Mark Rothko, forged over shared summers in Gloucester. Many shown publicly for the first time.

Beauford Delaney (1901-1979) from 1940s New York street scenes and portraits to 1960s Paris abstraction, hung alongside influences such as Monet and Stuart Davis and peers including Sam Francis and Ed Clark.

A 75-work retrospective of the founding Latinx artist Juan Sánchez (b. 1954), grouped as Autobiography, Community, Nation and Utopia. Co-organised with the Whitney and Museo de Arte de Puerto Rico.

Around 70 paintings, 30 works on paper and theatre ephemera from the 1890s to the 1930s, tracing Édouard Vuillard's life as spectator, director and scenographer. Co-organised with the Musée d'Orsay.
Jacob Lawrence's 60-panel epic of the Great Migration, painted in 1940-41. The Phillips holds the odd-numbered panels and presents them as a core collection highlight.

A narrow chamber lined in beeswax, lit by a single bare bulb. Laib's 2013 site-specific installation was the museum's first permanent commission since the Rothko Room in 1960.

Renoir's 1880-81 riverside gathering at Chatou, bought by Duncan Phillips in 1923 and the museum's best-known work. Back in Gallery 201 after a 2026 loan to the Musée d'Orsay.

Four Rothkos, one per wall, in a dimly lit room Duncan Phillips called a chapel. Created in 1960, the first US museum space devoted to the artist and the only one he helped design.
1600 21st Street NW, Washington, DC 20009, United States
Nearest station: Dupont Circle (Red Line, Q Street exit)
Show on mapClosed 26 November
Closed - Thanksgiving
| Mon | Closed |
| Tue | 10:00–17:00 |
| Wed | 10:00–17:00 |
| Thu | 10:00–17:00 |
| Fri | 10:00–17:00 |
| SatToday | 10:00–17:00 |
| Sun | 11:00–17:00 |
From $20
Seniors 62+ $15; students & educators with ID $10; active/retired military $12; ages 18 and under free; members always free. Free admission on Third Thursdays, 5-8 pm. Shop, cafe, courtyard and first-floor galleries are free to enter without a ticket.
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