iAga Khan MuseumDon Mills, North York
Artist Kamrooz Aram co-curates a gallery intervention setting his lapis-blue Arabesque paintings among collection works to challenge Eurocentric display.
One painting, one pot. Kamrooz Aram's Untitled (Arabesque Composition in Lapis Lazuli), made in 2021 with lapis lazuli oil paint on linen, hangs beside a cobalt-glazed, gilded ceramic made in Iran, probably Kashan, some seven centuries earlier.
You find the pair in the Museum Collections Gallery, among the permanent collection, and Aram chose the ceramic himself. His Arabesque series takes islimi, the scrolling plant designs that art historians long filed as mere ornament, and stretches them into abstract fields of colour. He says he wants to undo the hierarchy that ranks some painting as fine art and sends the rest to the "minor" arts.
It is two works, so treat it as a stop on a collection visit rather than a trip of its own. Entry is included with Museum admission, which is free for everyone on Wednesdays from 4 to 8pm.
Untitled (Arabesque Composition in Lapis Lazuli), 2021
Look for Aram's blue abstract canvas, painted in lapis lazuli oil paint and pencil, where Islamic scrolling plant designs are enlarged into open fields of colour.
The Kashan ceramic (AKM799)
Beside it stands a late 13th or early 14th-century Iranian vessel in opaque cobalt glaze, painted over the glaze and gilded, chosen from the collection by Aram.
You want a full exhibition: this is one painting and one ceramic.