iFounded in 1805 by Charles Willson Peale, William Rush and a circle of Philadelphia artists and merchants, PAFA is the longest continuously operating art museum and art school in the United States. Its collection is one of the finest surveys of American art anywhere, running from Colonial portraiture and Hudson River School landscapes through Thomas Eakins, Mary Cassatt and Winslow Homer to contemporary work by alumni and faculty. The 1876 Historic Landmark Building by Frank Furness and George Hewitt is itself a headline exhibit, a polychrome Victorian Gothic pile of patterned brick, incised stone and a sky-lit cast-iron stair hall. A second campus building, the Samuel M.V. Hamilton Building, houses contemporary galleries, the school's studios and Claes Oldenburg's 51-foot Paint Torch on Lenfest Plaza.
Twenty-two photogravures reproducing the floor outlines of major museums' visitor maps, questioning the museum as a neutral repository and how its architecture shapes what we see.
Reopening the Historic Landmark Building for PAFA's 220th anniversary: over 1,000 works from the late 18th century to today, including 100+ pieces from the Middleton Family Collection.

A Morris Gallery monographic show in which Gegenheimer's vivid paintings and mixed-media works treat love, familial and romantic, as an aesthetic and political structure rather than a sentiment.

Eight interdisciplinary artists pair finished prints with the working materials behind them, showing the PrintLab residency as an incubator for traditional printmaking and emerging technologies alike.
Prominent American artists who studied or taught at PAFA, from traditional realism to contemporary practice, tracing the visual languages the school has produced since 1805.
Plaster casts and cast drawings spanning more than 140 years, showing how classical models have underpinned training at America's oldest art school since 1805.

Unfinished paintings, sketches and studies from PAFA's permanent collection, treating incompletion not as failure but as evidence of experiment and material process.

Ian Butz (MFA '25) paints bison in acrylic on translucent PVC so visitors walk into the herd, drawing on travels through Montana, Wyoming, Utah and South Dakota.
A 118-foot site-specific wall painting curving through the Hamilton Building lobby, its poured acrylic stripes left to drip and run into one another. Installed 2014.
A major late Ryman: ten buff vinyl sheets fixed to the wall with white acrylic paint, pushing his lifelong enquiry into white and the meeting of painting and architecture. In place since 2005.

Oldenburg's 51-foot paintbrush tilts at 60 degrees over Lenfest Plaza, an illuminated glob of paint pooled at its base. Installed in 2011 and free to see from the street.
118-128 North Broad Street, Philadelphia, PA 19102, United States
Nearest station: Race-Vine (SEPTA Broad Street Line), City Hall (SEPTA Broad Street Line) and Jefferson Station (SEPTA Regional Rail)
Show on map| MonToday | 10:00–17:00 |
| Tue | Closed |
| Wed | Closed |
| Thu | 10:00–17:00 |
| Fri | 10:00–20:00 |
| Sat | 10:00–17:00 |
| Sun | 10:00–17:00 |
From $25
Seniors 65+ $23, students $10, youth 13-17 $5, children 12 and under and members free. Friday evenings 5-8pm discounted: adults $15, seniors $13.
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