iMütter MuseumLogan Square / Rittenhouse
Marking America's 250th birthday, this show traces the origins of American pharmacy and botanical medicine in the city that called itself the birthplace of American medicine.
A handwritten commonplace book from around 1730, small enough to carry in a pocket, holds a recipe for treating "dullness of the head." It shares the show with the College of Physicians' handwritten minutes from 1819, setting out the plan for a national pharmacopoeia.
You walk into the Gross Gallery and follow the line from Linnaeus's 1735 naming system to the first Pharmacopoeia of the United States in 1820, nearly half of whose plants were first used by Native American healers. Benjamin Smith Barton, who gathered that knowledge from Indigenous healers, hangs in an early 19th-century portrait, and his nephew William P.C. Barton's hand-colored plant engravings show the same images printed in the 1820 book. Curator Meredith Sellers calls a colonial pharmacopoeia "WebMD in the colonial era."
WHYY calls it small: books, manuscripts and prints, no specimens. Entry is included with a Mütter ticket ($25 adults), and the museum opens Tuesdays 3pm to 8pm through October 27.
The pocket commonplace book
Look for a handwritten book from around 1730, small enough for a pocket, that contains a recipe for treating "dullness of the head."
The 1819 minutes
Handwritten minutes of a College of Physicians meeting in 1819 lay out the plan to create a national pharmacopoeia.
Barton's Vegetable Materia Medica
William P.C. Barton's hand-colored engravings pair each plant with its medical uses, the same illustrations printed in the 1820 U.S. Pharmacopeia.
Benjamin Smith Barton's portrait
An early 19th-century portrait of the botanist who taught Meriwether Lewis and recorded Indigenous healers' knowledge of medicinal plants.
You came for the Mütter's specimens: this one is manuscripts, books, engravings and a portrait.