iPinacoteca di BreraBrera
Twelve restored plaster busts by Antonio Canova, lent by Banca Ifis, join a marble Vestal back at Brera after a century, celebrating the museum's Neoclassical roots.
Look closely at the plaster busts of Paris and Beatrice and you'll find small metal studs set into them. These are repère, the reference points Canova's workshop used to copy a plaster model, measurement by measurement, into a block of marble.
Twelve of these busts, made between 1807 and 1818 and each 50 to 60 cm tall, turned up in Villa Canal alla Gherla near Treviso and were restored by Banca Ifis. They stand in a redesigned Room 1 around a finished marble Vestal of 1818-19, back on show at Brera after more than a century. You meet them before any painting, because Room 1 is now where the Pinacoteca begins. Napoleon stands in bronze out in the courtyard, so inside it's his mother and three of his sisters who greet you first.
It's one room, so treat it as the prelude to the collection rather than a trip of its own. Entry is included in the standard ticket, Tuesday to Sunday 8:30 to 19:15, last admission 18:00.
The marble Vestal
Look for the one bust carved in marble rather than cast in plaster, set in the middle of the room and off display at Brera since 1902.
The studs on Paris and Beatrice
Look for the small metal points set into these two plaster heads, the marks Canova's workshop measured from when copying them into stone.
Napoleon's women
Look for four plaster portraits of his family: his mother Letizia Ramolino and his sisters Paolina Borghese, Carolina Murat and Elisa Baciocchi.