iNational Museum of Women in the ArtsDowntown
Marlo Pascual (1972-2020) enlarged, shattered and folded anonymous thrift-store photographs into uncanny Plexiglas sculptures that blur the line between picture and object.
In one work, a woman's portrait lies upside down with her head turned at a right angle to her torso, and a table lamp sits directly on her face. Marlo Pascual found pictures like this in thrift stores, yearbooks and old advertisements, enlarged them to the size of furniture, then cut, cracked or built on top of them.
You walk into the fourth-floor galleries and the same young blond woman looks out from eight identical prints, each overlaid with something else: a spiderweb, a prickly plant, a celery stalk, a hand. The show has 17 works from 2009 to 2014, all from NMWA's collection. Washington City Paper's Louis Jacobson called it "a crisp exhibit", found those pairings "somewhat random", and rated the torn and shattered portraits as her most compelling work.
Admission is $16, or $13 for DC residents, over-65s and students. It is free for visitors 21 and under, and for everyone on the first Sunday and second Wednesday of each month. Until 28 February 2027.
The lamp on her face
A bust portrait of a woman flipped upside down, her head at a right angle to her torso, with a table lamp set squarely on her face.
The eight identical portraits
The same blond woman repeated eight times, each print overlaid with something different: a spiderweb, a prickly plant, a celery stalk, a hand across her face.
The torn portrait
A studio portrait of a girl encased in acrylic, "ripped" with an exaggerated torn edge that climbs from left to right.
The shattered portrait
A portrait set in Plexiglas that has been struck and broken into radiating shards, with a crack running through the subject's eye.
The pointing finger and planks
Real wooden planks connect to a blown-up photograph of a pointing finger, giving a flat picture volume.
Visitors aged 21 and under get in free.