iSAAM holds one of the world's largest and most inclusive collections of art made in the United States — colonial portraits, the biggest New Deal art collection anywhere, folk and self-taught work, and Nam June Paik's neon-wired Electronic Superhighway. It occupies the Old Patent Office Building, begun in 1836 and one of Washington's oldest public buildings, which it shares with the National Portrait Gallery as the Donald W. Reynolds Center. The Luce Foundation Center puts more than 3,000 objects in visible open storage across the third and fourth floors, and the galleries stay open until 7pm every day of the year. Note: the galleries for 18th to early 20th century art are closed for a renovation running until autumn 2026; the rest of the museum is open as normal.

A ten-minute animation in which a British East India Company man dissolves into shifting Indo-Persian miniatures, scored by Pulitzer-winning composer Du Yun.

Nick Cave remakes the galleries as a dig site: crafted mammoth hides and bones, a video of the beasts come alive, and hundreds of found objects laid out like specimens.

225 photographs from the NEA's Bicentennial-era survey projects, reuniting a 1970s portrait of America and setting it against federal survey photography going back to the 19th century.

A mid-career survey of nearly forty of Bisa Butler's large-scale quilted portraits, shown alongside work by influences including Faith Ringgold and Betye Saar.

Paintings made for the New Deal's public art programmes in the 1930s, drawn from SAAM's collection — the largest holding of New Deal art in the world. First floor South.

Nearly 100 works from the 1940s to now on the redesigned third floor, anchored by Nam June Paik's 51-channel Electronic Superhighway.

200 gilded casts of Tommie Smith's raised 1968 Olympic salute, hung as a rippling aerial sculpture across the ceiling of the Luce Foundation Center. Third floor, ongoing.

First-floor galleries of untrained and vernacular American artists, built around James Hampton's foil-covered Throne of the Third Heaven and Emery Blagdon's Healing Machine.

Washington's first visible art storage: over 3,000 paintings, sculptures and craft objects packed into glass cases across 24,000 square feet of the Patent Office Building's west wing.
8th and G Streets NW, Washington, DC 20004
Nearest station: Gallery Place–Chinatown (Red, Yellow, Green lines) — directly beneath the museum, Metro Center (Red, Orange, Blue, Silver lines) and Archives–Navy Memorial–Penn Quarter (Green, Yellow lines)
Show on map| Mon | 11:30–19:00 |
| Tue | 11:30–19:00 |
| Wed | 11:30–19:00 |
| Thu | 11:30–19:00 |
| Fri | 11:30–19:00 |
| SatToday | 11:30–19:00 |
| Sun | 11:30–19:00 |
Free
Free admission, no tickets required. Some workshops and special events are ticketed.
Barrier-free access via ramps on both sides of the 8th and G Streets NW entrance. MetroAccess Paratransit should use 800 G Street NW. Free audio guides in English, Spanish, ASL and Descriptive Audio; ASL, verbal-description and dementia-friendly tours are offered.
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