iNational Gallery of ArtNational Mall
Over 30 works — Jasper Johns, Faith Ringgold, Gordon Parks, Childe Hassam, Dorothea Lange — on how the Stars and Stripes has served as pride, protest and raw material since the late 1800s.
In Robert Frank's 1955 photograph of Hoboken's centennial parade, the flag gets in the way. Two women watch from their windows and a billowing Stars and Stripes half hides them. That is the kind of picture this show collects: some 30 works, late 1800s to now, in which the flag is the subject, the prop or the raw material.
It runs from Childe Hassam's Allies Day, May 1917, with British, French and American flags hanging throughout to mark America's entry into World War I, to Holly Bass dancing to Black music in her 2021 video American Woman. You walk from Jasper Johns's grey Flag, the red, white and blue drained out of it, to Faith Ringgold's The Flag is Bleeding (1967), which she painted partly in answer to him.
Everything comes from the Gallery's own collection, so expect a compact show rather than a parade of loans. It's in the East Building's Concourse galleries, free with no passes needed, until 6 December.
Frank's Parade, Hoboken
Look for two women at their windows watching Hoboken's 1955 centennial parade, partly hidden behind a billowing flag that both shows and screens them.
Ringgold's The Flag is Bleeding
Faith Ringgold's 1967 painting from her American People series sets neutral-faced figures against a bleeding flag, made during the Civil Rights Movement and partly in reply to Johns's flags.
Lange's flag pledge, 1942
Dorothea Lange photographed fifth graders at San Francisco's Weill school, Japanese American children among them, pledging allegiance to a flag that stays out of the frame.
Rosenquist's Mirrored Flag
James Rosenquist turns the flag into a reflective foil banner under a full moon, a nod to the Apollo missions.
Holly Bass, American Woman
The show's one video: Bass dances to Black music and the words of Shirley Chisholm and Fannie Lou Hamer.