iThe Power Plant Contemporary Art GalleryHarbourfront
Paintings, murals, sound and a conch-shaped mobile of 600+ brass bells weave Korean mythology, diaspora and marine ecology into a multi-sensory installation.
Preview: written before the show opened
When this installation was shortlisted for the 2025 Turner Prize, Mark Hudson wrote in The Independent that its room at Bradford's Cartwright Hall felt "more like some psychedelic nightclub than an art display", and that Xa's paintings ended up as "pieces of decorative scene-setting". Emily Steer, reviewing the same room for Ocula, called it "visually thrilling", with a gold floor throwing watery shapes onto the ceiling and whale calls playing through speakers.
The Power Plant's version is Xa's first major solo show in Ontario, made with her long-term collaborator Benito Mayor Vallejo and reworked for this building. It mixes new and older work: paintings, murals, sound, and more than 600 brass bells hung from the ceiling in the shape of a conch shell, so look up. The subjects are Korean mythology, folklore, diaspora and sea life, tied this time to the shore of Lake Ontario.
Bring Hudson's complaint and judge whether the paintings hold their own against the room. Entry is free, and it opens on 24 October.
More than 600 brass bells hang overhead in the shape of a conch. In its Turner Prize version, Ocula found it "visually thrilling"; The Independent, "more like some psychedelic nightclub than an art display".
The bell conch
Look up for the mobile Xa made with Mayor Vallejo: more than 600 brass bells suspended from the gallery ceiling in the shape of a conch shell.