iManly Art Gallery & MuseumManly
Kate Bohunnis, Anne Ferran, Maddison Gibbs and Ebony Russell explore femininity, inheritance and place, starting from the colonial naming of Manly.
Maddison Gibbs has made a fishing net, and you'll recognise what it's made of: the little plastic fish of soy sauce that come with takeaway sushi. She wears it as a cloak in a new self-portrait, holding her baby, and the cloak hangs beside the prints. Her statement ends by asking whether Manly should be renamed "Matriarchy".
That's the show's starting point. In 1788 Governor Arthur Phillip named the cove after the "manly behaviour" of the Aboriginal men he saw there, and wrote little about the women fishing the harbour. Four artists answer him. Kate Bohunnis hangs puffed plastic forms from steel chain. Anne Ferran shows three canvases, each 2.5 metres tall, of a Finnish dancer in her sixties draped in felt. Ebony Russell pipes porcelain, layer by layer like icing, into crowns, grottos and castles.
Entry is free, Tuesday to Sunday, 10am to 5pm, four minutes' walk from Manly Wharf. Russell teaches ornamental clay workshops on Fridays in November; RSVP through the gallery.
Manly Matriarch, Maddison Gibbs
Three new prints of the artist in a cloak of plastic soy-sauce fish, her baby in her arms, with the cloak itself displayed alongside.
Body as Machine, Kate Bohunnis
Fleshy stuffed plastic forms edged in silver chain hang linked together, and the fibres inside shift from white to black.
White Against Red, Anne Ferran
Look for dancer Ervi Sirén wrapped in lengths of felt, shot on a Helsinki island where prisoners were held after Finland's 1918 civil war.
Ebony Russell's crowns
Porcelain crowns piped like cake icing and finished in gold lustre; the Cold Heart and Ice Queen crowns add Swarovski crystal.
Mirrored Kingdom, Ebony Russell
A nine-piece porcelain fairy-tale set that includes a Frog Prince Arbour, a Swan Eternity and a Princess Puppy Pedestal.