iSingapore Art MuseumTanjong Pagar
Amanda Heng transforms the Arsenale's Sale d'Armi into a space for rest and observation, using photography, video and architecture built on everyday gestures.
In the video, a hand waters plants, someone cooks breakfast, and Amanda Heng reads the Heart Sutra. It loops for 29 minutes 40 seconds on two screens set low, the way a television sits at home, and you watch it from a terrace of wooden steps.
Bangkok studio SP/N stacked local larch in 10cm layers so the steps rise and fall across the Sale d'Armi, broad enough to sit or lie on. The design borrows from Singapore's void decks, so you can fly 10,000 km to sit the way you do downstairs. Nine black-and-white close-ups from 1990, Parts of My Body, hang below standing eye level.
One online review called it "the quietest pavilion in Venice" and warned it may not register with visitors worn out by hours of spectacle. Note that it's in Venice, not at SAM: Level 2 of the Arsenale, included in the Biennale ticket (€30, €16 under 26), 10am to 6pm, closed most Mondays, until 22 November.
A Pause (2025-26)
Two low screens loop a 29-minute film of everyday life in Venice and Singapore: hands watering plants, people cooking and cleaning, Heng reading the Heart Sutra.
Parts of My Body (1990, reprinted 2026)
Nine black-and-white close-ups of Heng's clavicle, breast, belly, armpit and bottom, hung low so you see them best sitting down.
The larch-wood terraces
Broad steps of local larch, stacked in 10cm layers, rise and fall across the brick hall, wide enough to sit or lie on.
You want spectacle: it's a room for sitting through a 30-minute film of people watering plants.
Children up to 6 enter the Biennale free. Parts of My Body includes close-ups of Heng's bare breast and bottom.