iMusée Gustave Moreau · Pigalle
To mark the bicentennial of Gustave Moreau's birth, the museum gives contemporary painter Ali Banisadr carte blanche, staging an intergenerational dialogue between his work and Moreau's Symbolist legacy.
Ali Banisadr hears colours. He has synaesthesia, and the museum says he builds his paintings like visual scores. For Moreau's bicentenary he steeped himself in Moreau's work and made new pastels and four bronzes, among them Gilgamesh and Cyclopes, with older pieces added alongside.
There is no separate gallery. The works sit inside the permanent collection, in the ground-floor rooms and the second-floor studio, where Moreau's canvases still hang frame to frame as he and his heir Henri Rupp left them in 1903. You find Banisadr by walking Moreau's rooms. It is the museum's first carte blanche and the first living artist it has invited since opening, so Banisadr is the first new tenant that hang has taken in 123 years.
No critic has reviewed it yet. Entry is the normal €8 ticket (€6 reduced), which also covers the Musée Henner for 7 days. Open 10:00 to 18:00, closed Tuesdays, until 7 December. On free first Sundays booking is strongly advised and the first-floor apartments close at 12:30.
Ali Banisadr's new pastels and bronzes sit among Moreau's canvases in a studio hung the same way since 1903, with no separate gallery. He is the first living artist the museum has invited.
Gilgamesh
Look for Banisadr's 2025 bronze of the Mesopotamian hero, its surface worked with an almost graphic mesh, one of four bronzes the museum calls talismans.
Cyclopes
A second 2025 bronze, with the same net-like surface, made as one of the show's protective talisman objects.
You want a standalone exhibition: the new works are scattered among Moreau's permanent rooms.