iLos Angeles County Museum of Art (LACMA)Miracle Mile
Dancing skeletons and personifications of Death in prints from the Renaissance to German Expressionists reckoning with war and revolution. BCAM, Level 3.
Death has wings in Marco Dente's engraving The Skeletons (1518 to 1525). A skeleton stands over a body laid on the ground, holding an open book, while a crowd of emaciated men and women looks on. It comes from LACMA's own collection, and it's the image the museum picked for this show.
The display is small, a single room on BCAM Level 3, but it covers five centuries. You'll find Albrecht Dürer in the late 1400s, with plague still in living memory, and Otto Dix in the early Weimar years. Between them hang James Ensor, working in the decades after the Paris Commune, and the symbolist Félicien Rops. The writer Alexander Billet proposed a blunter title: "Five centuries of European skulls in art." It also crosses the Atlantic, to Mexican calavera prints made against the rise of fascism.
There's no separate ticket: it's included with general admission. LACMA is closed on Wednesdays and open until 8pm on Fridays. The show closes on 6 December.
The Skeletons, Marco Dente after Baccio Bandinelli
Look for Death as a winged skeleton holding an open book over a body on the ground, ringed by emaciated men and women.
Calaveras estranguladoras, Taller de Gráfica Popular, 1942
A four-page Day of the Dead broadside where insect-like reporter skeletons swarm a jailed strangler and Hitler, Pétain and Laval appear as skeletal caricatures.
You came for paintings: this is one room of prints on paper.