iArt Institute of ChicagoGrant Park / Loop
More than 40 of the ukiyo-e master Kitagawa Utamaro's most celebrated woodblock designs, all drawn from the Art Institute's own Japanese print collection.
In 1789 eight poets took a boat to the Bay of Shinagawa, just south of Edo, drank, combed the beach and made up comic verses about what they found. Utamaro turned the outing into a picture book, with the poems printed above shells, rocks and seaweed, and a page of it is in this room.
Around it are more than 40 of his designs, all from the Art Institute's own Japanese print collection, in Gallery 107. Utamaro drew the courtesans and geisha of the Yoshiwara, Edo's pleasure district, often in tight close-up, and ordinary women cooking and cleaning at home. You can follow a whole day in the Yoshiwara through six sheets of one series, from the Hour of the Hare at 6am to the Hour of the Ox at 2am.
It is a collection rotation in a single gallery, so it comes with general museum admission and needs no separate ticket. On Thursdays the museum stays open until 8pm.
More than 40 of Kitagawa Utamaro's best-known woodblock designs, all drawn from the Art Institute's own Japanese print collection.
The Twelve Hours in Yoshiwara
Six sheets from this series track the pleasure district's day hour by hour, from the Hour of the Hare at 6am to the Hour of the Ox at 2am.
A page from Gifts of the Ebb Tide
Look for a page from the 1789 shell book, made after a poets' beach outing at Shinagawa, whose sheets set comic verse above shells, rocks and seaweed.
Myriad Birds
In this picture book each double-page spread pairs two birds with playful love poems written in the birds' own voices.
Women at work at home
Two kitchen scenes, a woman preparing a meal and three sheets of a household cleaning for the New Year show Utamaro's ordinary women rather than courtesans.