iArt Institute of ChicagoGrant Park / Loop
Photography, drawing and sculpture by 14 self-made artists, most working outside the gallery and museum system, from the Sandor family collection.
Lee Godie captioned one of her photo-booth self-portraits with a note to herself about which side of her face to show, as if she had to talk herself into the pose. From 1968 until the late 1980s she lived outdoors between the Art Institute and the Drake Hotel, selling her paintings on this museum's steps. Now she is inside, in Gallery 188.
She is one of 14 artists from the collection of Richard and Ellen Sandor, an economist and an artist who hung self-taught makers beside art-world names in their Gold Coast apartment, in a room they called the "Outsiders' Café". You'll find William Edmondson's carved stone eagle in the same show as Cindy Sherman, Kara Walker, John Waters and Annette Messager, mostly photographs, drawings and sculpture the Sandors gave the museum.
Come for people who invented themselves. It is included with museum admission ($32 for adults, less for Illinois and Chicago residents) and closes on 9 November.
William Edmondson's Eagle
Look for a 1940s stone eagle that spreads its wings yet firmly stands its ground, carved by the Nashville sculptor who began by making headstones for Black cemeteries.
Lee Godie's photo-booth self-portraits
Godie wrote captions on her photo-booth pictures, and one inscription about keeping to her left side reads as if she had to coax herself into a worthy pose.
Annette Messager's Voluntary Tortures
Magazine clippings of women under masks, creams and massage devices, arranged into a mural-shaped grid of miniature faces and bodies like mosaic tiles.
Jesse Howard's painted sermon
All-caps exhortations hand-painted edge to edge on salvaged wood, by a Missouri man whose roadside signs were regularly vandalized and just as regularly put back up.