iArt Institute of ChicagoGrant Park / Loop
Nine rare Saint-Porchaire ceramics of the French Renaissance from a private collection, most on public view for the first time since the late 1800s.
The covered cup here stands almost 10 inches high and weighs very little, because its clay walls are so thin. The curators think its black knotwork and fleurs-de-lis were pressed in with bookbinders' brass stamps. Inside the bowl, where only the person drinking would see it, sits François I's crowned, fire-breathing salamander.
Only about 70 Saint-Porchaire pieces are known to survive, and most of this group, lent from a private collection, hasn't been shown in public since the late 1800s. You find them in Gallery 238, the small room usually kept for Renaissance jewelry, next to coarser, brightly glazed French earthenware from the museum's own collection.
It's one room of jewel-like objects, made for leaning in close, with the armor and metalwork of the surrounding Deering galleries as context. It's free with museum admission, and it closes on 15 November, when the jewelry moves back in.
The covered cup
Look for black interlaced knotwork, chains and fleurs-de-lis inlaid in the creamy clay, with small green seashells applied around the middle of the stem.
The triangular saltcellar
Each face has an arched niche under a pediment, the corners stack large-eared masks, bearded herms and ram's heads, and the salt bowl is ringed with Diane de Poitiers' interlaced crescent moons.
The nef-shaped cup
A drinking cup shaped like a ship, with the royal arms of France set inside it.
Gondola Cup with a Figure of Spring
A recent museum purchase in coarser earthenware, covered all over in colourful glaze, with Spring personified as a figure: the louder cousin of the creamy Saint-Porchaire pieces.
You want a big exhibition: this is one small gallery of tabletop ceramics.