iAllard PiersonCentrum
A theatre-history show on crossdressing, the Slingelandt theatre and revue star Louisette, exploring how costume and staging reshape identity.
When photographer Diana Blok asked Cas Enklaar which woman he'd like to play, he knew at once: Lyubov from The Cherry Orchard, in a Chanel-style suit with Tilda Swinton hair. That portrait hangs here, next to Albert Mol in the gown Ank van der Moer wore as Elizabeth I.
Everything comes from the museum's theatre collection. Blok's cross-casting photographs sit beside some of the actual costumes. A chamber theatre from 1781 shows how a few moves turned an Italian street into a prison or a summer wood. And a small separate room belongs to Louisette, the Amsterdam revue star who toured with a suitcase of twenty costumes; you walk in among her dresses and posters with her songs playing.
Anne Rose Bantzinger called it a must for lovers of theatre and nostalgia. With time to spare, you can watch recordings of two full productions, Zzinderella and De Appel's Casanova. Entry is the regular museum ticket (€15.50, free with a Museumkaart), and it has been extended to 11 April 2027.
Cas Enklaar as Lyubov
Blok's 2016 portrait of the actor as the heroine of The Cherry Orchard, in the Chanel-style suit and Tilda Swinton haircut he asked for.
Albert Mol as Elizabeth I
Look for Blok's 1997 photo of Mol in Nicolaas Wijnberg's 1964 royal gown, made for Ank van der Moer, and then the gown itself on display.
Jos Brink's wicked stepmother
Jan Aarntzen's exuberant costume for Brink as the stepmother in the musical Zzinderella.
The Slingelandt chamber theatre
A miniature stage built in 1781 for Baron van Slingelandt, whose interchangeable sets turn an Italian street into a prison or a summer wood in a few moves.
Louisette's room
Her century-old stage dresses, posters from Carré in 1940 and the Liverpool Empire in 1913, and some of her songs playing.