iFondation Louis VuittonBois de Boulogne
Saudi artist Mohammad Alfaraj's first solo show in a French institution, "I'd rather be a dragonfly than a lion" brings stop-motion videos, objects, photographs and drawings drawn from the oral traditions and landscape of the Al Ahsa oasis to Gallery 8.
A boy who is half fish turns up in a village's dried-up spring, and a solitary baker takes him in. By the end of the three-minute film, the women's tears have brought the water back. Mohammad Alfaraj made it the way he makes everything here, alone: he writes the story, builds the characters from palm fronds, dates and stones, shoots them frame by frame and recites the tale himself.
Five stop-motion films play one after another, about 25 minutes of film, inside an installation of photographs of palm groves, desert and mountains, with sand, wood and water. You look up and a photograph on the ceiling shows the sky as if from the bottom of a well. The title comes from Al-Ahsa, the Saudi oasis where he lives, where a dragonfly circling at sunset means good news.
It is his first solo show in a French institution, and entry is included with a ticket for the Gustave Fayet exhibition. The Fondation is closed Tuesdays and open until 21:00 on Fridays.
Fishboy
A half-boy, half-fish creature found in a dried-up village spring is taken in by a lonely baker, until the women's tears make the water flow again.
The Date Fruit of Knowledge
The longest film, at 12 minutes 39, follows a bird carved from a date that sets off to find the fruit said to hold all the world's knowledge.
The photograph on the ceiling
Look up: the image overhead frames the sky as if you were looking out from the bottom of a well.
The Reflection of Fire in the Eyes of a Bat
A 90-second film about the artist's one-eyed childhood friend, who always played goalkeeper, meeting a bat that shows him another way to sense the world.
You want paintings or objects to look at: the room is built around five short stop-motion films.