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Getty CenterBrentwood

Stendahl's World: Marketing Ancient Mexico and Modern Art in Los Angeles

Ended23 June 2026 – 18 October 2026Free

This exhibition has ended.

How Earl Stendahl's Los Angeles gallery marketed pre-Hispanic Mexican antiquities to museums, collectors and Hollywood from the 1940s onward, reshaping the trade in ancient artifacts.

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A local artist remembered joining Earl Stendahl in his basement for "marvelous mendings", gluing ancient fragments into new objects. One is here: a "dog of many parts" in a human mask, which sold for two to three times the price of an intact dog.

You start at a sculpture that isn't ancient at all, a fiberglass replica of a supposed Veracruz figure. Stendahl sold Mexican antiquities from 1935, fakes included, and the show, drawn largely from his gallery's archive, follows the marketing: Man Ray photographing actress Teresa Wright with a Chac Mool, Vincent Price shopping with him. Kahlúa's ads used figures of this type, so the dusty bottle in your cupboard has a provenance question too.

Expect photographs and paperwork more than sculpture, with the looted Mexican sites kept in view. It's free with a timed Getty reservation (parking is paid), in the Research Institute's Gallery I, with labels in English and Spanish. It closes 18 October; the last 30-minute curator tour is Thursday 15 October at 1pm.

Look for

  • The dog of many parts

    Look for a dog figure wearing a human mask, a hybrid made from ancient pieces in Stendahl's basement, because the supernatural touch fetched two to three times an intact dog's price.

  • The fiberglass Veracruz figure

    The sculpture beside the introduction panel is no antiquity but a fiberglass replica of a supposed Veracruz piece, which Stendahl's gallery may have sold.

  • Actress Teresa Wright with Chac Mool, about 1944

    Man Ray's photograph poses the Hollywood actress with a Chac Mool, the kind of celebrity image Stendahl used to sell ancient Mexico.

  • Vincent Price and the Kahlúa ads

    A section on the horror star, a Stendahl customer and collector, who became spokesman for Kahlúa while its ads put pre-Hispanic figures to work.

Good for

  • Cheap Culture
  • Evening Visits
  • Locals Who've Seen It All
  • Nerding Out

Skip if

You came for ancient sculpture: the show is drawn largely from a dealer's archive of photographs and paperwork.

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