
Victoria and Albert Museum · South Kensington
The UK's first exhibition on Elsa Schiaparelli, tracing the surrealist designer's influence from the 1920s to today and the house's revival under Daniel Roseberry.
The first pair you meet: Elsa Schiaparelli's 1938 Skeleton Dress, made with Salvador Dalí, its padded ribs and spine swelling out of black silk, beside Daniel Roseberry's 2021 gown with a necklace of gilded brass lungs, the one Bella Hadid wore at Cannes. The Skeleton Dress is the only known surviving example.
From there it runs from a 1927 bow-knot sweater through the surrealist years, with Dalí's Lobster Telephone beside the lobster-print dress, to a final room of Roseberry's couture. That's 100 ensembles and 50 artworks, plus perfume bottles and a lot of buttons.
Time Out called it "some of the most beautiful clothes you will ever see", but found the present-day sections "a bit advert-y". AnOther's critic felt the surrealist pieces have lost some of their shock over time. Tickets are £28 on weekdays and £30 at weekends, and the V&A recommends booking ahead.
The Skeleton Dress and the Lung Dress
Look for the opening pair: Dalí's quilted bones from 1938 facing Roseberry's rhinestone lungs from 2021.
The lobster, twice
Dalí's Lobster Telephone sits beside the lobster-print dress Wallis Simpson wore; Dalí wanted to add real mayonnaise to it, and Schiaparelli said no.
The Tears dress
A pale dress printed with rips that look like torn flesh, designed with Dalí in 1938 and shown with its veil.
The buttons
Time Out singled out the fastenings: peanuts, acorns and buxom mermaids.
Shocking, bottled
Leonor Fini's bust-shaped bottle for the Shocking perfume leads a run of novelty bottles shaped like champagne bottles and night lights.
You're hoping for Kylie Jenner's lion's-head gown: Time Out noted it isn't in the show.