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Work by Ana Mendieta from her Silueta series

Tate ModernBankside

Ana Mendieta

Now showing15 July 2026 – 17 January 2027Ticketed, see website

Newly remastered films, early paintings and late sculptures by the Cuban-American artist, including her Silueta series, many never seen in the UK.

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Mendieta drew human figures in gunpowder on the ground or on tree trunks and set them alight. What's left is "a scorched shadow of a person", in the Guardian's words, and here a row of them rises out of real tree trunks.

This is the first in-depth UK show of the Cuban-American artist in over ten years, on Level 2 of the Blavatnik Building, with newly remastered films, photographs of the Silueta series (her body's outline pressed into mud, sand, grass and flowers), early paintings, sketches on leaves, and photographs of the goddess figures she carved into Cuban limestone in 1981. Her death in 1985 is left out of it.

The Guardian, Independent and Standard all gave it five stars, and Jonathan Jones called her "irresistible". The dissent comes from theartsdesk, whose critic said the late woman-as-earth work made her "queasy". Blood is a material throughout, so know that going in. Open until 21:00 on Fridays and Saturdays.

Editor's pick

Silueta photographs, gunpowder figures burned onto tree trunks and remastered films, with blood used throughout. The Guardian, the Independent and the Standard all gave it five stars.

Look for

  • Sweating Blood (1973)

    A video close on her face as drops of blood gather on her forehead and run towards her closed eyes.

  • Body Tracks (1974)

    She slides down a white wall with her arms pressed to it, leaving two blood-red streaks.

  • The fake crime scene

    She poured animal blood on a pavement and secretly photographed passers-by trying to work out what had happened.

  • The beard

    An early photo series where she glues clippings from a friend's beard to her chin and lip and passes as a man.

  • The feathers film

    She pours a pail of cow's blood over herself, lies down in white chicken feathers and stands up "part-human, part-bird", as the Independent put it.

Good for

  • Evening Visits
  • Going Solo
  • Out-Of-Town Guests

Skip if

You'd rather avoid blood: it recurs throughout, including films of the artist bleeding.

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