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Self portrait 71, a 2025 painting by Issy Wood

National Portrait GalleryWest End

Artist Focus: Issy Wood: Self-Portraits

Now showing9 October 2026 – 28 February 2027Free

Free display of intimate self-portraits by British American artist Issy Wood, a series begun in 2020, in Room 32 on Floor 1.

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In one enormous painting, Issy Wood sips a Diet Coke through a face mask. In others she squashes her cheek against a mirror, bleeds from an eyebrow and frames her face with plastic stick-on monster fingers. Best known for painting Diet Coke cans, antiques and leather coats, Wood has turned the same close-cropped, soft-focus eye on herself.

The series began in 2020 as a stand-in for a magazine photographer. She paints from phone selfies, and each one takes her a few days, which is roughly how long you spend deciding whether to post yours. This room, the first of the Gallery's Artist Focus displays, hangs self-portraits, seven never shown before, beside two pictures of her as a child.

The Guardian's Eddy Frankel called them "weird, suffocating, intimate things" and Wood "the ultimate zillennial painter". The catch is the mood: one painting has her mid-sob, though he found humour among the misery. It's free, in Room 32 on Floor 1, and the Gallery stays open until 21:00 on Fridays and Saturdays.

Look for

  • The Diet Coke face mask

    Look for the enormous canvas where Wood sips a Diet Coke through a goopy, wet face mask.

  • The mirror

    Wood squashes her cheek against a mirror, so her face appears twice, twisted out of shape.

  • The monster fingers

    Plastic stick-on monster fingers frame her face, the moment Frankel read as Wood admitting it's all a bit overblown.

  • The childhood pictures

    Two pictures of Wood as a child, all smiles and giggles, against a room of glum adult faces.

  • The mid-sob painting

    Wood caught mid-sob, blurry-eyed and disconsolate.

Good for

  • An Hour Or Less
  • Cheap Culture
  • Evening Visits
  • Locals Who've Seen It All

Skip if

You want light relief: the Guardian found most of these paintings miserable and suffocating.

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