iNational Portrait GalleryWest End
Free display of intimate self-portraits by British American artist Issy Wood, a series begun in 2020, in Room 32 on Floor 1.
In one enormous painting, Issy Wood sips a Diet Coke through a face mask. In others she squashes her cheek against a mirror, bleeds from an eyebrow and frames her face with plastic stick-on monster fingers. Best known for painting Diet Coke cans, antiques and leather coats, Wood has turned the same close-cropped, soft-focus eye on herself.
The series began in 2020 as a stand-in for a magazine photographer. She paints from phone selfies, and each one takes her a few days, which is roughly how long you spend deciding whether to post yours. This room, the first of the Gallery's Artist Focus displays, hangs self-portraits, seven never shown before, beside two pictures of her as a child.
The Guardian's Eddy Frankel called them "weird, suffocating, intimate things" and Wood "the ultimate zillennial painter". The catch is the mood: one painting has her mid-sob, though he found humour among the misery. It's free, in Room 32 on Floor 1, and the Gallery stays open until 21:00 on Fridays and Saturdays.
The Diet Coke face mask
Look for the enormous canvas where Wood sips a Diet Coke through a goopy, wet face mask.
The mirror
Wood squashes her cheek against a mirror, so her face appears twice, twisted out of shape.
The monster fingers
Plastic stick-on monster fingers frame her face, the moment Frankel read as Wood admitting it's all a bit overblown.
The childhood pictures
Two pictures of Wood as a child, all smiles and giggles, against a room of glum adult faces.
The mid-sob painting
Wood caught mid-sob, blurry-eyed and disconsolate.
You want light relief: the Guardian found most of these paintings miserable and suffocating.