iNational GalleryWest End
For the first time in history, all of Jan van Eyck's surviving painted portraits brought together in one exhibition.
Guided tours of National Gallery
Preview: written before the show opened
The Arnolfini Portrait has left the National Gallery only once in over 100 years. This winter it stays put and gets company: Portrait of a Man (Giovanni? Arnolfini), lent by Berlin's Gemäldegalerie, hangs beside it for the first time.
All nine of van Eyck's painted portraits are together for the first time, about half his surviving work. Margaret, the Artist's Wife (1439), lent by Bruges, is the first known portrait of a woman outside the aristocracy. Vienna lends both its van Eycks, and its Portrait of an Elderly Man meets the Dresden drawing made for it. The Arnolfini man gets two portraits; your LinkedIn headshot is still cropped from a wedding.
Tickets are £18 with an audio guide; under-18s and members go free. The members' preview on 20 November is sold out.
The Arnolfini Portrait hangs beside Berlin's portrait of the same man, and Margaret, the painter's wife, has come from Bruges. All nine of van Eyck's surviving painted portraits, together for the first time.
Two portraits of the Arnolfini man
The Gallery's 1434 Arnolfini Portrait hangs beside the Berlin portrait of what is thought to be the same sitter, shown together for the first time.
Margaret, the Artist's Wife
Van Eyck's wife in a red dress and white head covering, lent by the Groeningemuseum in Bruges and hung with the Gallery's newly conserved 1433 man's portrait.
The Elderly Man and his drawing
Vienna's Portrait of an Elderly Man is reunited with the Dresden silverpoint study for it, van Eyck's only surviving drawing.
Portrait of a Man (Self Portrait?)
The newly conserved 1433 panel of a man in a flamboyant red hat, thought to be van Eyck himself, shown with his wife's portrait.
Under-18s go free.