iLa Galleria Nazionale d'Arte Moderna e Contemporanea holds Italy's largest collection of 19th- and 20th-century art, with roughly 20,000 works spanning Neoclassicism to the contemporary. Founded in 1883, it has occupied the monumental Palazzo delle Belle Arti, designed by Cesare Bazzani for the 1911 International Exhibition, since 1915. Highlights include Canova's colossal Hercules and Lichas, Klimt's The Three Ages of Woman, and Van Gogh's L'Arlesienne, alongside works by Modigliani, Balla, de Chirico, Monet, Cezanne and Pollock.
GNAMC's Artist of the Year turns the entrance hall into a year-long participatory lab, with 40+ works including four monumental 'Theatre of Commons' tapestries, drawings and a light sculpture.

Over 200 photographs by fashion duo Luigi & Iango exploring the body as a surface for desire, conflict, vulnerability and transformation, examining identity and the human figure in contemporary visual culture.

Ten loans by Giorgio de Chirico shown with the gallery's Metaphysical collection, plus architectural drawings and photographs that read Rome as a "metaphysical city".

Ennio Calabria's 1992 "Ambiguità dell'intravisto. Donna e mare", donated to the collection, shown with three other large canvases by the Nuova Figurazione painter.

Marking the artist's 80th birthday, an expanded version of the Venice Biennale show pairing historical performance works (Imponderabilia, Balkan Baroque, The Artist is Present) with a selection of her Transitory Objects. Curated by Shai Baitel and Andrea Tarsia.

Canova's colossal marble (1795-1815) freezes Hercules at the peak of fury, hurling the boy Lichas into the sea, the first of the sculptor's giant groups and a centrepiece of the Neoclassical halls.

Gustav Klimt's golden 1905 masterpiece The Three Ages of Woman, juxtaposing infancy, youth and old age, acquired by the gallery in 1911 and among its best-loved works. Was on loan to Palazzo Bonaparte until 23 August 2026; should now be back on view at GNAMC.

La pazza (Madwoman, c. 1905) by Futurist pioneer Giacomo Balla, a piercing Divisionist portrait from the gallery's strong holdings of Italian modernism.

Van Gogh's 1889 portrait of a young Provencal gardener, painted at Saint-Remy, is the finest Van Gogh in any Italian public collection, famously stolen and recovered in 1998.

Vincent van Gogh's 1890 portrait L'Arlesienne (Madame Ginoux), painted at Saint-Remy after a drawing by Gauguin, the gallery's only Van Gogh and a visitor favourite. Currently on loan: to a Perugia exhibition until 27 September 2026, then to "Lei. Ritratti di donne" at Palazzo del Governatore, Parma, from 2 October 2026 to 8 March 2027. Not on view at GNAMC until then.
Viale delle Belle Arti 131, 00197 Roma RM, Italy
Nearest station: Tram 3 & 19 - Galleria d'Arte Moderna (at the entrance), Tram 3 & 19 - Thorvaldsen and Metro Line A - Flaminio (about 1.3 km)
Show on map| Mon | Closed |
| Tue | 09:00–19:00 |
| WedToday | 09:00–19:00 |
| Thu | 09:00–19:00 |
| Fri | 09:00–19:00 |
| Sat | 09:00–19:00 |
| Sun | 09:00–19:00 |
From €17
EUR 2 for EU citizens aged 18-25; EUR 10 same-day with a Galleria Borghese ticket; free under 18 and on the first Sunday of each month
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