iFounded in 1968, The Studio Museum in Harlem is devoted to artists of African descent and to art inspired by Black culture. Its collection spans two centuries, holding works by Romare Bearden, Jacob Lawrence, Elizabeth Catlett and Betye Saar, plus a celebrated archive of James VanDerZee's Harlem photographs. In November 2025 the museum reopened in a seven-storey, 82,000-square-foot building designed by David Adjaye, the first home built expressly for the institution. It is equally renowned for its trailblazing Artist-in-Residence program, the source of its name.

A site-specific installation by Kapwani Kiwanga reworking the quilting "flying geese" pattern in natural dyes, evoking the Underground Railroad and histories of Black resistance.

Photography by seventeen teen artists from the Studio Museum's signature Expanding the Walls program, capturing New York's streets alongside intimate moments at home.

The first exhibition to tell the story of arts advocate Peggy Cooper Cafritz as a collector, drawing on her bequest of over 200 artists of African descent across multiple media.

A group exhibition exploring geometry as an organizational principle, translating sources from city maps to West African textiles into a shared visual vocabulary spanning figuration and abstraction.

The first Artist-in-Residence cohort in the Studio Museum's new building: Derriann Pharr, Simonette Quamina and Taylor Simmons use figuration across mediums to explore cultural memory and time.

A group show of nineteen artists, including Roy DeCarava, Kerry James Marshall and Lorna Simpson, exploring tone, from black to white and every value between, as an expressive material language.

Miami-born Woody De Othello's new ceramic and wood sculptures, tiled wall works and a large bronze, his first institutional solo show in New York, travelling from Pérez Art Museum Miami.

The first major survey of Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), spanning fifty years of paintings and works on paper, co-organized with ICA Philadelphia.

Three long-term installations exploring cultural memory, identity and language: Houston E. Conwill's bronze time capsules of Black American testimonies, David Hammons's Pan-African/American flag piece, and Glenn Ligon's text-based work inspired by Muhammad Ali.

A site-specific installation in the Education Workshop picturing an intergenerational cast of mythic beings drawn from Harlem's cultural history, from a centaur to winged jazz greats.

A commissioned sound-and-sculpture installation of handwoven brass evoking a pipe organ and a raft, using "social heliotropism" to reflect on migration past and present.
144 West 125th Street, New York, NY 10027
Nearest station: 125 St (2, 3) at Malcolm X Blvd/Lenox Ave, 125 St (A, B, C, D) at St. Nicholas Ave and 125 St (4, 5, 6) at Lexington Ave
Show on map| MonToday | Closed |
| Tue | Closed |
| Wed | 11:00–18:00 |
| Thu | 11:00–18:00 |
| Fri | 11:00–21:00 |
| Sat | 11:00–18:00 |
| Sun | 11:00–18:00 |
From $16
Pay-what-you-can; $16 suggested for adults. Free for visitors 16 and under, members and active military.
Last verified