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Manet's The Execution of Maximilian (National Gallery, London): the surviving fragments of the firing squad mounted on one canvas

Norton Simon MuseumPasadena

Making History: Manet's "Execution of Maximilian" from the National Gallery, London

Upcoming13 November 2026 – 1 March 2027Ticketed, see website

Manet's ambitious, near-life-sized painting of the 1867 firing-squad execution of Emperor Maximilian, on loan from the National Gallery, London.

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Preview: written before the show opened

Manet cut the emperor out of his own painting. He removed the leftmost figures, Mejía and Maximilian, and left Maximilian as a hand clasping General Miramón's. After Manet died in 1883 his heirs cut up the rest and sold the pieces separately. Degas bought them and put the fragments back together on one canvas.

That canvas, 193 by 284 cm, is the second of five versions Manet made of the 1867 firing-squad execution of Maximilian, the Austrian archduke who had become emperor of Mexico. The National Gallery, London, bought it at Degas's studio sale in 1918 and has lent it. Around it hang archival materials from the Getty Research Institute on the French occupation of Mexico and on how images of Maximilian and his associates circulated after their deaths.

The show is included with museum admission ($20 for adults). The museum is open Thursday to Monday from noon, to 7pm on Fridays and Saturdays, and closed Tuesday and Wednesday.

Editor's pick

Degas gathered the cut-up fragments of Manet's canvas and reassembled them on one support, so Maximilian survives only as a hand gripping a general's. The National Gallery's loan hangs with Getty Research Institute archive material.

Look for

  • The reunited fragments

    The pieces of the firing squad that Manet's heirs sold off are mounted together on one canvas, the arrangement Degas made.

  • The hand clasping Miramón's

    After Manet's own cropping, the emperor is represented only by his hand holding that of General Miramón.

  • The Getty Research Institute archive

    Documents on the French occupation of Mexico in the 1860s, and on how images of Maximilian and his associates spread after their deaths.

Good for

  • Locals Who've Seen It All
  • Nerding Out
  • Out-Of-Town Guests

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