iSir John Soane's MuseumHolborn
Michael Landy's meticulous watercolour and pen drawings imagining iconic buildings, including Soane's own museum, as overgrown future ruins.
You walk in and Michael Landy's own face is waiting above a fireplace, drawn over two and a half months with a mirror. Elsewhere he has drawn the building you're standing in as a ruin.
The series started here. Joseph Michael Gandy's 1798 watercolour of Soane's Bank of England as a Roman ruin is in the same building as Landy's version, hollowed out with a Union Jack still flying. Around them are watercolour and pen drawings of the New York Stock Exchange, Chatsworth, Mussolini's Palazzo della Civiltà, a run of an abandoned Mar-a-Lago, and the Ilford house Landy grew up in. In 2001 he destroyed everything he owned; now he's hanging in a house where every surface is covered in someone else's things.
Artlyst praised his "incredible draughtsmanship" and called his London-after-Doré Thames view "a beautiful and covetable capriccio". Entry is free with no booking, Wednesday to Sunday, 10am to 5pm (last entry usually 4:30pm). The house is small and popular, so you may wait to get in.
Broken Column
Downstairs, under an oculus near Soane's own column of salvaged fragments, a column of stacked outdoor litter bins teeters, tags and stickers still on, with rubbish flowing out of them.
The Bank of England, twice
Gandy's 1798 watercolour shows Soane's Bank as a Roman ruin; Landy's version hangs beside it, hollowed out, with a Union Jack flying over the decaying façade.
The Soane as a ruin
Oh! What a falling off do these ruins present (2026) imagines the museum you are standing in as a ruin, in watercolour and permanent pen.
Mar-a-Lago, abandoned
A series of watercolour and pen works pictures Trump's Florida club as an abandoned building.
Self Portrait at the Age of 62
A large pencil drawing of Landy's own face, included because he sees ageing lines as another ruin, like cracks in old mortar.
You want Landy's big installations: this is drawings, plus one bin sculpture downstairs.
Prams have to be left outside, within the museum gates; baby slings and carriers are welcome inside.